So recently, k-dramaland had a trend of mental illness dramas, none of which really resonated with me, so I was hesitant to try out Dr. Rintaro, a drama about a psychiatrist and his relationship with a geisha who may-or-may-not-but-probably-does-I-don’t-really-know have a mental illness. Plus, medical dramas aren’t really my thing; I’m pretty sure the only medical drama I’ve ever finished was Code Blue and that was when I was in my extreme Yamapi-fangirl phase, so yeah, definitely not my favorite genre. Dr. Rintaro is definitely sappy, but the mystery, romance, and yes, even the medical (though it’s sometimes questionable) is solidly intriguing.
So let’s set the stage, shall we?
Continue reading Dr. Rintaro: Episodes 1-2
It’s been almost ten years since the hit manga Death Note was adapted into a two-part movie (and that weird spin-off movie that we don’t talk about), so naturally, NTV decided it was about time to adapt it again. Because obviously the anime, musicals, and merchandise wasn’t enough.
Continue reading Kubota Masataka and Yamazaki Kento lead live-action Death Note
Studio: A-1 Pictures (Anohana, Shin Sekai Yori), TROYCA
Director: Ei Aoki (Fate/ZERO, Kara no Kyoukai)
I am not a big fan of the mecha genre. There have been some exceptions, but in general, politics plus giant fighting robots just isn’t that exciting for me. However, I was pretty addicted to last year’s Aldnoah.ZERO which dumbed down your normal mecha tropes and still managed to be entertaining. Was it actually good? Yeah, well, I’ll get to that.
Continue reading Anime Spotlight #11: Aldnoah.ZERO